biographycoucheschairsarchitecture
 

Villa Savoye, 1929 - 1931
The house demonstrates the 'Five Points' that Corb placed central to his work, briefly piloti, fenetre longeur, free plan, active roof space and free facade. He was very focused on proportion of mass and space and keen to meld lessons from Classical architecture with modern technology exploited in cars, ships and planes.

 

 

 

 

 


   
 

House at Weissenhof Commentary, 1927
This was one of the most difficult postwar problems which Le Corbusier had to solve. The rules concerning the ground were contradictory, the programme was complicated, and the budget unavoidably limited. Le Corbusier decided to use the commonest and crudest materials—brick, tiles and vaults formed with tiles as permanent shuttering (Catalan vaults), the roofs covered with grass. The Modulor was used to determine the principal dimensions, spans of 7 ft. 6 in. and 12 ft. and a height to the soffit of the vault-carrying lintels of 7 ft. 6 in. The floors and the 'Catalan vaults' have an ordinary tile finish, the interior spine wall of unplastered brick runs right through the house. The exterior walls are unplastered on the outside and on the inside plastered to avoid condensation.

 

   
  Notre Dame du Haut, 1954
The structure is made mostly of concrete and is comparatively small, enclosed by thick walls, with the upturned roof supported on columns embedded within the walls, like a sail billowing in the windy currents on the hill top. The Christian Church sees itself as the ship of God, bringing safety and salvation to followers. In the interior, the spaces left between the walls and roof and filled with clerestory windows, as well as the asymmetric light from the wall openings, serve to further reinforce the sacred nature of the space and reinforce the relationship of the building with its surroundings. The lighting in the interior is soft and indirect, from the clerestory windows and reflecting off the whitewashed walls of the chapels with projecting towers.
The structure is built mostly of concrete and stone, which was a remnant of the original chapel built on the hilltop site destroyed during World War II. Some have described Ronchamp as the first Post-Modern building. It was constructed in the early 1950s.